Photography here acts as a signifier of reality but is capable of questioning the meaning of truth, judgment, and prejudice through an explicit invitation to the viewer to exercise their gaze: not so much to see new aspects of reality but to realize new ways of seeing reality. To look differently. Not to look at photographs with the need to see images but to abandon oneself to the imagination that arises from everyday things and places. In the images produced, the polyptych combination amplifies the potential of vision, but the technique used undermines the presumption of fidelity of the photographic language, its fundamental peculiarity, with the precise and obstinate intention of blurring the focus, a bit like when you observe an unknown place which, in this case, is not really unknown at all.